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Thursday, 28 November 2019
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Pati Patni Aur Woh: Mudassar Aziz slams the outrage, states people reacted to marital rape dialogue without understanding context

Kartik Aaryan, Bhumi Pednekar, and Ananya Panday starrer Pati Patni Aur Woh has received its fair share of mixed reactions. Some have liked it whereas slammed the makers for keeping a dialogue on marital rape. After backlash on social media, the actors and makers apologized for hurting the sentiments and revealed that they have removed the bit from the film.

Pati Patni Aur Woh: Mudassar Aziz slams the outrage, states people reacted to marital rape dialogue without understanding context

When the trailer came out, Kartik Aaryan’s character Chintu Tyagi was seen ranting about his sex deprived life to his friend played by Aparshakti Khurrana. Kartik is saying, “Biwi se sex maang lein toh hum bikhaari. Biwi ko sex na de toh hum atyachaari. Aur kisi tarah jugaad laga ke usse sex haasil kar lena toh balaatkari bhi hum hai. (If we ask our wives for sex then we’re called beggars, if we deny them sex then we’re called torturers, and if we coerce them into having sex with us, we’re called rapists).

While Kartik Aaryan and Bhumi Pednekar admitted that it was a lapse of judgement when it came to the scene, Mudassar Aziz said the outrage was without even understanding the context. “A lot of people said the dialogue insinuated that marital rape is ok. What’s the line? A man seems to be saying ‘If I do this I’m called this, if I do that I’m called this also.’ Ninety-nine percent of men in the country do not even know when they are committing marital rape. Coming back home after work and waking up a sleeping wife, even if you indulge in foreplay, that’s not consent. A filmmaker presents that line in a film, everyone starts to tell him to remove that word from the film," Mudassar Aziz said.

He further talked about the reactions and how he took the backlash. "I laughed at it for two reasons. There's a term in the English language that got coined centuries ago when guns came out and it's called trigger happy. I think we belong to a generation that is finger happy. 'There's something that's come out, I have to react to it. This country is working because I'm reacting. If I don't react then, this country would shut down.' This is a part of the finger happy generation. This finger happy generation is not waiting to understand what is happening, what is the context of it. The trailer is good but they won't write about it. That person will be the first one to watch the film but typing out the issue is more important at that moment. The dialogue said is in what context, a person who thinks like that what happens to him and what is the result of it - should i watch it first and then pass a judgement? No. They have fingers and they will go and say it and it's free," he said.

The makers removed the part from the film and even reshot some portions of the song 'Dilbara' within 24 hours earlier this week. "Coming to the removal part, we have to understand a slightly more collaborative way that on one side you are saying you want to create awareness but a filmmaker is not able to say the rape. But, you are talking about rape awareness. How are you going to do it? If you don't define it then how is it going to happen? And going beyond that if someone says the word Balatkar 25 times, but you'll laugh so much in the scene. Then someone wants to talk about something relevant, then you find this as a past time. That's not how we should do these things. Otherwise, if we are doing such things, we need to talk about it so the future generation is aware. Today, according to me, even a 12-year-old should know what is rape and even a 15-year-old should know the definition of consent backwards. Before touching another boy, girl, man woman or child, they should be aware of what consent is. If you are not going to talk about it then we'll stay in the caves as long as you want. You are not going to find a solution."

Pati Patni Aur Woh is set to release on December 6, 2019.

ALSO READ: Pati Patni Aur Woh: Kartik Aaryan and Bhumi Pednekar say they didn't want to hurt any sentiments with the marital rape dialogue



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Taapsee Pannu and Vikrant Massey finalized for T-Series & Aanand L Rai’s mystery production

Taapsee Pannu is gearing up for more projects. The actress has been reportedly roped in for Aanand L Rai and Bhushan Kumar production. Vikrant Massey has been signed on as the lead actor opposite Taapsee. It is going to be a mystery drama.

Taapsee Pannu and Vikrant Massey finalized for T-Series & Aanand L Rai’s mystery production

The makers wanted a fresh pair for the film to keep the mystery intact. Some portions will be shot in the North though they are yet to decide on the locations. They want to keep it authentic since the story is set in North. It will be directed by Vinil Matthews, who helmed Hasee Toh Phasee six years ago.

Meanwhile, Taapsee Pannu has many projects in the pipeline including Thappad, Rashmi Rocket, Anurag Kashyap's horror film, a South venture among others. Vikrant Massey, on the other hand, is currently shooting for Ginni Weds Sunny and has Chhapaak release next year.

ALSO READ: IFFI 2019: Taapsee Pannu has the perfect response for a man who asked her to speak in Hindi



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The Hoodie Gets an Exhibition Of Its Own in Rotterdam

IN THE HOOD: The hoodie is as much a clothing staple as it is a divisive cultural symbol and streetwear icon favored by youth subcultures and Silicon Valley entrepreneurs alike. Now, it’s getting its own exhibition at the Het Nieuwe Instituut in Rotterdam, which opens on Dec. 1. The Hoodie, which runs until April 2020, traces the garment’s history, starting with its role in 1930s workwear. A selection of designers including Rick Owens, Off-White and Vetements, and makers such as Bogomir Doringer and Campbell Addy will have hoodies on display. Depending on who’s wearing it, the hoodie can be an indicator of profession, personality and values. More so than any other garment – except, maybe, jeans – the hoodie sits at the intersection of gender, ethnicity, age, and geography. Sometimes, it can even be a provocation. “Today, we don’t associate black leather jackets with the outsider, they’ve been normalized, evoking a specific class and market. Hoodies, however, are touted as a trend – while also being demonized,” said Lou Stoppard, curator of the exhibition. The exhibition aims to challenge viewers on who wears the hoodie, and what it represents. Digital footage, social media posts, and the garment itself are used to explore the role of

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Start-up Footwear Firm Acbc Set to Release ‘World’s Most Sustainable Shoe’

MILAN — The appetite for sneakers does not appear to be waning, with customers spending around $192 for the category in 2019, 39 percent more than in the previous year, according to fashion search platform Lyst’s “Year in Fashion” research. Taking advantage of the category’s global resonance, footwear start-up Acbc is launching on Thursday a fund-raiser through Kickstarter with which it aims to build a community and launch what’s billed as “the world’s most sustainable shoe.” Concurrently, a $5 million capital increase bringing in additional backers which will allow the company to invest in marketing, workforce and enhance its direct-to-consumer approach. It’s a comeback to the popular crowdfunding platform for Acbc, which went direct-to-consumer with a Kickstarter campaign in 2016 that raised $700,000 and allowed the company to produce the patented modular sneaker they’ve become known for. The shoes are engineered with a zipper system that ties together the sole, available in 10 variations, with around 100 upper parts, also tapping into the customization trend. The concept has generated hype and provided Acbc with cobranded collaborations with Emporio Armani’s EA7 line and Moschino. Since cofounders Gio Giacobbe and Edoardo Iannuzzi, who hold the chief executive officer and creative director roles, respectively, have established

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Steve Aoki Readies for U.S. Launch of Dim Mak Collaboration With Tatras

AOKI TEAMS UP WITH TATRAS: As an intrepid traveler, DJ and collaborator, Steve Aoki is known to maximize those forces. His latest compilation is a limited-edition collection between the outerwear brand Tatras and his own label Dim Mak. The official U.S. launch will be held with Aoki on Dec. 8 on Chicago’s “Magnificent Mile” at Water Tower Place. Shoppers who make their way to 835 North Michigan Avenue will find eight styles including a white geometric camo bomber jacket and a reflective parka in the Tatras and Dim Mak line. Aoki customized the bomber jackets, puffer jackets and parkas with his own color palettes and prints, reflective nylon fabrics and an assortment of Dim Mak embroidered patches. The pop-up will be open in the Windy City through the end of the year. The often-in-transit Aoki visited Tokyo earlier this month to host a meet-and-greet and signing at Tatras’ boutique to celebrate the collaboration. The cobranded styles are being sold in Tatras’ two stores in Tokyo, as well as the ones in Osaka and Milan and online. Retail prices range from $715 to $1,318. People’s Revolution photographed the look book for the Tatras-Dim Mak line in Twentynine Palms, Calif., which is home to the

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Roberto Cavalli Sale Finalized

MILAN — Roberto Cavalli now officially has a new owner. The acquisition of the brand was finalized on Thursday, as the founder and chairman of Dubai-based Damac Properties, Hussain Sajwani, confirmed the purchase of 100 percent of the Italian fashion house through his private investment company Vision Investments. Vision Investments, part of the Dico Group, is an evolution of a partnership that was signed in 2017 between Cavalli and the Dico Group for the development of Cavalli interiors for luxury hotels under the Aykon moniker. “We are excited about carrying forward the incredible legacy of the Roberto Cavalli brand,” said Sajwani. “Dico has a long and fruitful association with Roberto Cavalli, and I believe that the brand resonates with our idea of luxury. I am happy to announce that the transaction was executed swiftly and that we will ensure stability in management throughout the transition period.” As reported, it is understood that Cavalli’s chief executive officer Gian Giacomo Ferraris was instrumental in sealing the deal and was expected to stay on to lead the brand. “At Dico Investments, we aspire to own internationally recognized brands, and this acquisition marks a significant step in our strategy,” Sajwani added. Dico, which is Sajwani’s multi-billion-dollar investment arm

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Pati Patni Aur Woh: Kartik Aaryan and Bhumi Pednekar say they didn't want to hurt any sentiments with the marital rape dialogue

Kartik Aaryan, Bhumi Pednekar and Ananya Panday starrer Pati Patni Aur Woh's trailer has received its fair share of mixed reactions. Some have liked it whereas some found the marital rape dialogue too insensitive and immediately called out the actors and makers on it. The actors and makers went ahead to apologise for hurting the sentiments and revealed that they have removed the bit from the film.

Pati Patni Aur Woh: Kartik Aaryan and Bhumi Pednekar say they didn't want to hurt any sentiments with the marital rape dialogue

When the trailer came out, Kartik Aaryan's character Chintu Tyagi was seen ranting about his sex deprived life to his friend played by Aparshakti Khurrana. Kartik is saying, “Biwi se sex maang lein toh hum bikhaari. Biwi ko sex na de toh hum atyachaari. Aur kisi tarah jugaad laga ke usse sex haasil kar lena toh balaatkari bhi hum hai. (If we ask our wives for sex then we’re called beggars, if we deny them sex then we’re called torturers, and if we coerce them into having sex with us, we’re called rapists).”

Asked about the controversy, Kartik Aaryan said they removed it immediately after the backlash. He said, "When the trailer came, we realised that we shouldn't hurt anyone and should remove it immediately. Usually, this doesn't happen in films. We took responsibility because it might have come across as something that wasn't our intention. We realized we shouldn't use that word (rape) at all so we have rectified it and made changes because we don't want to hurt people's sentiments."

"We didn't realize it when we were doing it. We had shown it to a lot of people, but no one had pointed it out. We didn't want to hurt anyone's sentiments. This isn't the topic of our film nor was this our intention," he added.

Bhumi Pednekar too said that it was a lapse of judgement and they rectified it. "See, honestly, I don't know what is the right way to put it but this was the lack of judgement. I've said this time and again that this film is empowering to both the genders. The idea was never to hurt anybody's sentiments. Nobody attached to the film belongs to the school of thought that we will a part of anything sexist. Especially, the line of work that I've done, I've always gone out there and done everything possible to empower my gender. So, it was a lapse of judgment, we've gone ahead and apologized and rectified it," Bhumi Pednekar said.
"When you make a film, it comes with a great responsibility. I really need to applaud the makers because they could have easily said 'No! This is only twitterati that is giving us so much backlash. We will keep this in our film because the masses like it. These things work.' But, they didn't do that. They thought this is doesn't work in favour of the film's messaging. Of course, you add a lot of things for humour. We don't have to intellectualize everything but sometimes you have to draw a line somewhere. And if you cross the line then you should have the guts to rectify. That's why a big applaud to the makers of the film," she added.
Directed by Mudassar Aziz, Pati Patni Aur Woh is set to release on December 6, 2019.

ALSO READ: Pati Patni Aur Woh: Mudassar Aziz clears the air on the controversial marital rape dialogue in Kartik Aaryan starrer



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